The Liliane Questel Recital Series
Founded in 2003 by SCC board member and pianist, Liliane Questel.
American pianist Clayton Stephenson’s love for music is immediately apparent in his joyous charisma onstage, expressive power, and natural ease at the instrument. Hailed for “extraordinary narrative and poetic gifts” and interpretations that are “fresh, incisive and characterfully alive” (Gramophone), he is committed to making an impact on the world through his music-making.
Growing up in New York City, Clayton started piano lessons at age 7 and was accepted into the Juilliard Outreach Music Advancement Program for underprivileged children the next year, where he attended numerous student recitals and fell in love with music. At the age of 10 he advanced to Juilliard’s elite Pre-College program with the help of his teacher, Beth Nam. At Juilliard he studied with Matti Raekallio, Hung-Kuang Chen and Ernest Barretta. Clayton practiced on a synthesizer at home until he found an old upright piano on the street that an elementary school had thrown away; that would become his practice piano for the next six years, until the Lang Lang Foundation donated a new piano to him when he was 17.
He credits the generous support of community programs with providing him musical inspiration and resources along the way. As he describes it, the “3rd Street Music School jump-started my music education; the Young People’s Choir taught me phrasing and voicing; the Juilliard Outreach Music Advancement Program introduced me to formal and rigorous piano training, which enabled me to get into Juilliard Pre-College; the Morningside Music Bridge validated my talent and elevated my self-confidence; the Boy’s Club of New York exposed me to jazz; and the Lang Lang Foundation brought me to stages worldwide and transformed me from a piano student to a young artist.”
Recent and upcoming highlights of Clayton’s burgeoning career include appearances with the Calgary Philharmonic, Chicago Sinfonietta, and the Fort Worth, Louisville, Lansing and North Carolina Symphony Orchestras; as well as recitals at the Phillips Collection Concert Series in Washington, DC, Foundation Louis Vuitton Auditorium in Paris, Bad Kissinger Sommer Festival and BeethovenFest in Germany, Colour of Music Festival, Ravinia Festival and Weill Recital Hall at Carnegie Hall. He has been featured on NPR, WUOL, and WQXR, and appeared in the “GRAMMY® Salute to Classical Music” Concert at Carnegie’s Stern Auditorium.
He now studies in the Harvard-NEC Dual Degree Program, pursuing a bachelor’s degree in economics at Harvard and a master’s degree in piano performance at the New England Conservatory under Wha Kyung Byun. And his accolades along the way have been numerous – in addition to being the first Black finalist at the Van Cliburn International Piano Competition in 2022, he was named a 2022 Gilmore Young Artist, as well as a 2017 U.S. Presidential Scholar in the Arts and a Young Scholar of the Lang Lang International Music Foundation. He also received a jury discretionary award at the 2015 Cliburn International Junior Piano Competition and Festival.
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About The Liliane Questel Recital Series
Founded in 2002 as “The Rising Stars Piano Series” by SCC board member and pianist Liliane Questel, a graduate of the Brussels Conservatory and Baltimore’s Peabody Conservatory under the guidance of Leon Fleisher. The series’ mission focuses on performance opportunities primarily for participants and alumni of Pianofest of the Hamptons. These highly talented pianists attract a loyal following. The Tenth Anniversary Season celebrated some of those musicians who were not “Rising Stars” by then but celebrated performers. In 2024, the Series was renamed “The Liliane Questel Recital Series” in memory of its founder and to cement her legacy.
Konstantin Soukhovetski, an award-winning pianist, educator, and composer, is the Artistic Director of The Liliane Questel Recital Series.
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A Tribute to Liliane Questel
by Paul Schenly
Liliane Questel’s journey was not just about her own accomplishments as a concert pianist but about the many lives she touched, the music she brought to the world, and the legacy she leaves behind.
From her early days at the Royal Conservatory in Brussels to her studies at the Peabody Conservatory in Baltimore under the guidance of the legendary Leon Fleisher, Liliane’s musical journey was one of dedication and brilliance. Her performances, whether it was the Bach Chromatic Fantasy and Fugue or the formidable Liszt Sonata, captivated audiences and left an indelible mark on all who had the privilege of listening to her play.
But Liliane’s impact extended far beyond the concert stage. She was a mentor, a teacher, and a friend to countless young musicians. Her support and guidance helped shape the careers of many aspiring artists, and her commitment to nurturing talent through the Rising Stars Concert Series, which is now renamed The Liliane Questel Recital Series and will continue to inspire generations to come.
Those who knew Liliane remember not only her musical prowess but also her warmth, humor, and generosity of spirit. Whether it was hosting fabulous parties with her beloved husband Arthur or sharing her insights on music interpretation, Liliane brought joy and laughter wherever she went.
Her love for her family, her husband Arthur, their son Remy, and their beloved dogs Maya and Loki, was evident to all who knew her. They were her greatest treasures, and her devotion to them knew no bounds.
Let us celebrate the legacy she leaves behind. Let us carry forward her passion for music, her commitment to nurturing young talent, and her spirit of generosity and kindness. Her music will continue to echo in our hearts, reminding us of the beauty and joy she brought into the world.
In 2005 after a recital at the Southampton Cultural Center, Fred Volkmer in the Southampton Press reviewing the concert wrote: For those in the audience who know Liliane Questel only as a presenter the evening came as a delightful surprise. We heard a pianist of rare ability, not only someone with a razor-sharp technique, but plenty of temperament and interpretive acuity, someone with a profound commitment to the music about which she has thought so long and so deeply before it emerged from her fingers as they touched the keyboard.
We will always remember Liliane.